1. I think the photographer creates/evokes a sense/feeling or an atmosphere/experience of calm/energy/melancholy/foreboding/space/lightness/delicacy through the use of/by using/ a variety of/bright/rhythmic line/colour/shape.

2. I am struck by/fascinated by/inspired by/drawn to/impressed with the photographer's/artist’s use of bright colours/line/shape, which capture/evoke/create the experience of heat/loneliness/joy.

3. The inclusion of the cypress tree/ woman in black/ blue circle on the far left/linking earth and sky creates an air of mystery/menace/tranquillity.

4. The photographers's/artist’s bold/subtle use of line/colour/shape encourages the viewer to explore/focus on/reflect on the experience/impact/role of women/poverty in 20th century wherever.

5. The apparent order of the composition is offset by/is undermined by/contrasts with the random/unexpected/free/spontaneous use of colour/paint/shape.

I am interested in the way that the use of watercolour paper/muted colour/restricted tonal range softens/mitigates/balances what would otherwise be a harsh/cold/dull piece.

I love the way that the photographers/artist uses techniques usually associated with popular culture/children's cartoons to address serious issues of whatever.

6. The bold/bright/muted colours remind me of whatever.

I associate the bold/bright/muted colours with a feeling of/a sense of whateve].

This photograph/artwork is the visual equivalent of a (slap in the face with a dead fish, poem, music, the hustle and bustle of rush hour)

7. A stark beauty/sense of opulence is created by the subtle/precise interaction/interplay of simple geometric shapes.

8. The artist celebrates pop culture by the use of gaudy colours/simple outlines

9. I think the artist deliberately distances/alienates/confuses/confounds the viewer by photographing from an unusual viewpoint…/..tearing up the image and…..

10. The technique of layering/distressing materials forced me to consider/confront the issue of memory/time passing by llowing only some parts of the work to be visible

Last modified: Wednesday, 27 August 2014, 2:43 PM